Friday, May 20, 2011

Set Bathtub On Concrete Floor

Night Million Crane vol 2 - Palladium, Warsaw, 18 May 2011

It was quite a pleasant evening, although this kind of concerts are usually not an artistic event, but rather social. So it was this time, but failed to gather a room full of listeners besides wanting to see these promised and as it usually happens in such circumstances, even those less musical presentations planned. Proud to be the technical efficiency of the organization and short breaks between performances. When you are destined for the maintenance stage umilał time students, reading in the majority of previously prepared by the same contractors texts, Zbigniew Zamachowski. Sometimes it was a pretty neat ceremonies, sometimes betraying the very in-depth knowledge of music time filler remained promising, but successful enough that viewers do not leave the audience for almost 4 hours.
kilkunastominutowych The form of presentation is not allowed for the development of the wings of most performers. After these presentations better, therefore, remained unsatisfied, and they were a bit worse so short that it is not irritated beyond measure.
Maria Pomianowska concert began with a team that combines a bit of Japanese exoticism with Polish folk music. This seemingly doomed to failure blend proved to be so, that will look for records of its team.


Maria Pomianowska team

another appearance, this is a short set presented by Anna Kostrzewska, singer is still seeking his musical identity, but certainly deserves a wider audience interested in jazz, which does not treat orthodox jazz too limited to proven big celebrity vocal. Anna Kostrzewska is also responsible for the artistic part of the total share of aid to Japan organized by the Polish Humanitarian Action. Both for the musical qualities of her performance, as well as the organizational effort and commitment to the whole thing are the words of its highest consideration. If you will be somewhere close to the concert, you will not miss me there.

Anna Kostrzewska

Project Agnieszka Szczepaniak - But crib! featuring Justine Steczkowska was presented in a short set, dominated by their unusual ability Justyna Steczkowska voice. It is also a topic worthy of greater interest, Bowim I have the impression that the whole idea, is not only using voice stars, but also interesting music, which unfortunately due to time constraints did not show up that evening.


Agnieszka Szczepaniak

Justyna Steczkowska

the encore the band played Szczepaniak Agnieszka Justyna Steczkowska pop hit - Girl Shaman. Vocal Duet and Anna Justyna Steczkowska Kostrzewski be considered quite successful, and certainly well spectacular and it's expected with this kind of concert audiences relish a single, unique event.

Kostrzewska Anna and Justyna Steczkowska

Mieczyslaw Szczesniak and accompanied by Wendy Waldman - it was the correct and only correct performance, both artists can do more, but this is the kind of music that needs a bit more time to pulling listeners in the mood. That evening at the Palladium was too short and too little, and this means a total that was not bad.

Mieczyslaw Szczesniak and Wendy Waldman

Team One Two Three - for this music is not so fond of. However, I have a feeling that the team played its most important song a bit, without commitment, as if it were another show, which probably played a lot in recent years in the larger rooms and smaller metropolitan cultural centers and fire engines, and folk festivals remizach like many others every year takes place in Poland.

Adam Smith (One Two Three)

Aga Zaryan performance was a bit not for me. I do not like drawing ambitious rows and dorabianiem to them on the power of music, so that the disc sold as an ambitious art project doczepianąc the label famous poet. Aga Zaryan prefer singing jazz standards, but to the need for greater instrumental momentum, as on stage vol 2 Night Crane lacked. It was so musically correct style, which I do not like.


Aga

closing all star Tomasz Stanko was in towarzystkie his former team - today recording alone - the trio of Marcin Wasilewski. It was undoubtedly the best set of the evening. Tomasz Stanko captivates every sound, especially during concerts. There is something to Miles Davis. Playing sparingly, completely controls the action and music casually all of a sudden it sounds from his trumpet, which he did not expect, and which are so much on the spot.

Tomasz Stanko

Tomasz Stanko

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